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How Tomatoes Became the Heart of Italian Cuisine

Tomatoes
Photo by Deniz Altindas

Tomatoes have become almost synonymous with Italy, but they had a long, incredible journey before they reached European plates. 


It's a topic that fascinated writer Clarissa Hyman, whose book Tomatoes: A Global History charts the origins of this vibrant and juicy fruit while covering topics such as tomato varieties, breeding and genetics, nutrition, and tomatoes in art. It also includes tomato recipes.

 

Clarissa, who previously published Cucina Siciliana, a "cook's tour" of Italy's largest island, got her start as a TV producer, working on factual programs, documentaries, educational programs, and adult education. 


She isn't Sicilian (or Italian, for that matter), but she's earned a reputation and awards for her skills in marrying food writing with lessons in history. At the heart of all of her works is a sense of curiosity and wonder: Just how did these foods make their way to global cuisine?

 

I recently had the chance to chat with Clarissa about tomatoes. We discussed the tomato's origins, the ways it spread, how the perception of the tomato has changed, and the fruit's influence on food and culture. 

 

 

Tell us how the tomato found its way to Europe.

I became fascinated by the Columbus Exchange, of which tomatoes were a part. I was also fascinated by what happened even earlier: how tomato seeds traveled from mostly Peru and the northern part of South America up towards Mexico. How did they get there? 


Once they got to Mexico, they found a home, a climate that really encouraged their growth and proliferation. Clearly, the Aztecs didn't seem concerned about whether or not they were going to be poisonous or inedible in some way, and they took to them very readily.


Franciscan Friar Bernardino de Sahagún wrote in a journal about all the different tomatoes he came across in Mexico. He went with the conquistadors as a missionary and wrote about hundreds of different sorts of tomatoes in different colors, sizes, shapes, and attributes. 


When I read what he wrote, I thought, "This is so sophisticated, this understanding of the tomato's potential and how diverse and varied it could be."


This is not something we think about in terms of the 16th century. We're very arrogant in our day and age about how advanced we are. But in fact, there's very little that's not been done before. So that very much engaged me. 


How the tomato actually got to Europe, to Spain, again, is another story in itself. How did the sailors and the ships actually transport these tomatoes? I mean, they were out to sea for such a long time, and tomatoes weren't going to last. So, did they dry them? Did they preserve them? Did they just take the seeds? 


I suppose anything that came from the Americas to Spain and Portugal was going to be precious in some way. It was going to be valuable; even if they didn't know just what that value was, you couldn't just throw it overboard. 


History is never simple. It never works on one track, or often, tracks run in parallel. 


Some explorers gave the royal families of Spain just about everything that they found. It was part of their job to bring everything over. Some people in the aristocracy were very interested in botanical things, cultivation, and horticulture, and they had beautiful gardens and skillful gardeners who were ready to experiment with plant things and see what happened. 


Once tomatoes started to grow, there were others who wouldn't eat them or weren't interested. But there were also some very poor people who were grateful to eat anything, even if it was going to be a little bit dodgy. They were prepared to give it a go if it was cheap and easy and grew well.


So, there were different roots for tomatoes becoming increasingly available in the marketplace in Spain. That's where it all started in terms of European consumption of tomatoes.


One of the main drivers of tomatoes being incorporated into European gastronomy and culinary culture was the monasteries and the friars and the priests, who had an amazing culinary dimension to their lives. A number of priests and monks wrote cookery books or recorded what they did in the kitchens of the monasteries. Because a lot of monks traveled around visiting different outposts of their particular order, they took this knowledge with them.


One of the main ways that tomatoes started to spread around the Mediterranean basin was through trade, but there were certainly other roots in religion. The Jewish communities took this vegetable knowledge with them, even when other people were still reluctant. 

 

Tell us about that reluctance.

It was very pervasive and lasted a long time. A lot of people thought, "Well, we know it's part of the nightshade family, so maybe it could be poisonous."


Early tomatoes were probably rather acidic and didn't really have the sweetness that was bred into them eventually. So they didn't like it. People didn't know what to do with it. I think a fear of poisoning really prevented its rapid adoption.


But bit by bit, people became a bit more adventurous. It's so interesting how gardeners have been able to improve plants and turn them into something a bit more palatable, as well as cross-breed and encourage certain characteristics. 


There are always a few brave souls somewhere who are going to try something new and radical and say, "Hey, look, I'm still standing. I ate a tomato."

 

How did tomatoes return to the Americas?

The technological advance of canning again gave a huge impetus to how tomatoes could then spread back to the Americas in the form of tin tomatoes. And it was, again, the whole story of Italian tomatoes and Italian-American communities, which is a big story on its own because the canning came from a time when a lot of Italians emigrated to America at the end of the 19th century. There were a lot of Italian producers and merchants in Italy who saw that they could supply the Italian immigrants, particularly on the East Coast, with some of the foods that they remembered from their homelands, and tomatoes came full circle.


However, there was also another route for tomatoes to become so popular in North America: people planted tomatoes or took tomato plants from Central America and Mexico up to California and Louisiana, often through the missions in California or through the French influence in Louisiana.


Tomatoes were found to flourish in those more northern regions. And so that was another route, helped by the development of the railways, which could transport fresh tomatoes.

 

How have tomatoes influenced global cuisine?

You certainly can't think of pasta without tomato sauce or a pizza without tomato sauce in some way. 


The influence of tomatoes on global cuisine is incalculable. Where would we be without tomatoes? I can't think of a cuisine or a culture that doesn't use tomatoes in some important way now, which is extraordinary when you think the world ate perfectly well before the Columbus Exchange took place. And certainly in Europe, North America, and Asia, I mean, there was a very good diet. There's a very good culinary culture in virtually every country in the world without a tomato. So it's really quite extraordinary, the power that the tomato has had to transform virtually all our lives. And I think it's because it's something that can be consumed in so many different forms, and it's worked its way into lots of different aspects of our life for good or bad. 


You can think of some hideous tomato things: tomato-flavored crisps and even tomato ice cream. But overall, tomatoes have been a force for good when it comes to the food on our plates.


I don't mean to say every dish we eat has a tomato in it or is tomato-connected. Of course not. But it's such an integral part of our lives now. It's very hard to imagine it not being there. Certainly, when it comes to Italian food, it's a marriage that has lasted for a very long time in terms of pasta and pizza.

 

What are some varieties unique to Sicily?

There is a variety called Siccagno that grows in western Sicily that isn't watered. Any moisture comes from rain. They are the most amazing-tasting tomatoes. Then, there is a place in eastern Sicily where a very tiny tomato called Pachino is grown virtually on the beach in very sandy soil. They say they get their flavor from the sea, somehow from the aromas of the saltwater. The winds and the waves somehow infuse these tomatoes, and they're brilliant.


The Sicilians really appreciate different varieties and sizes and understand their uses. Some tomatoes are just for use in a sugo, and some tomatoes can be eaten in a salad with a little bit of oil.

 pachino-tomatoes-photo-by-Salmassara.jpg
Pachino tomatoes photo by Salmassara

You've mentioned that one shouldn't refrigerate tomatoes.

I met an Italian tomato grower, and he said to me, "You English are terrible. I really can't believe it. You murder your tomatoes."


I said, "What do you mean by murder? How do you murder a tomato?"


He said, "You always put them in the fridge. That's the worst thing you can do with a tomato."


He said the cold destroys all the flavor and aroma. He said he'd never forget going to an English home. He went into the kitchen, opened the refrigerator door, and saw half a tomato wrapped in cling film. And he said his heart nearly stopped. 


He said that in Italy, you buy a tomato and eat it. You don't leave it in the fridge for a week until you're ready to eat the rest of it.

 

So I tell everyone that if they've got tomatoes in the fridge, take them out.  

 

What do you hope people take away from your research?

It's such a fascinating story and one that is so largely unknown. It's actually a little miracle, a little red round miracle, and we should respect it a lot more than we do. 

 

>>Get Tomatoes: A Global History here!<<

 

 

 
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Madonna del Lume Connects Sicily and San Francisco Across Generations

San Francisco has celebrated Festa della Madonna del Lume for nearly nine decades.

The biggest event of the year in Porticello, Sicily, revolves around the legend of the Madonna del Lume, patroness of the seaside village and protector of the sea. Since the 18th century, the whole town has gathered for a traditional celebration, which includes a procession of a revered painting of Mary from Chiesa Di Maria Santissima Del Lume through the town before it is loaded onto a fishing boat and paraded on the sea with hundreds of other fishing boats to its sacred shrine. It's the main event of Festa della Madonna del Lume, which begins nine days before the first Sunday in October and features fireworks, food, and festivities. 


For 89 years, San Francisco has held its own two-day Festa della Madonna del Lume, an event started by immigrant women from Porticello, Sicily.

  
Saturday, October 5, includes a Mass at the Fishermen's and Seamen's Memorial Chapel, followed by a memorial flower ceremony at the sea to honor those lost or perished at sea. Sunday, October 6, includes Mass at Saint Peter and Paul Church, a procession from North Beach to Fisherman's Wharf, a ritual blessing of the fishing fleet, and other festivities.

 

Organized by La Società di Maria Santissima del Lume, founded by immigrant Sicilian women in 1935, the Festa is a time for families and friends to come together in memorial, prayer, thanks, and celebration.


I recently caught up with Christina Balistreri, a member of the Society's celebration committee. She and fellow committee members spend countless hours all year planning and preparing for the big event, which takes place the first weekend in October of each year. We chatted about the origins of San Francisco's Madonna del Lume Society and the differences and similarities between Porticello's Festa and San Francisco's. She also shared her hopes for attendees.

 

 

Tell us about your connection to Sicily.

My great-grandparents came to San Francisco from Sicily around 1890. My great-grandmother was an Alitio from Porticello, and my great-grandfather was a Balistreri from Sant'Elia, just down the road from Porticello. Both families carried the traditional profession of pescatore (fishermen) to America, where many settled in San Francisco's Wharf, known then as "Meiggs Wharf," to become fishermen. This profession was passed down through many generations of the Sicilian families that came to San Francisco. During this time, many Sicilian fishing families were concentrated in this area.

 

My nonno (grandfather) was a fisherman here for 59 years. His boat was parked in front of Scomas, and as a child, I would regularly go with my father as he worked on it. I have many great memories of playing on the piers and jumping on and off the different Monterey boats. Sadly, my Great-grandfather Salvatore Balistreri lost his life here on the San Francisco Bay while fishing.

 

Fishing is all our family has ever known. The Sicilian community was a tight-knit community where everyone was famiglia. It is funny because we still connect with each other at many of our events and figure out how we are related. Most of us are convinced we are related in some way or another. 

 

My great-grandmother and her sisters were very involved in the Madonna del Lume Society, helping keep the tradition alive and preserving the ancient tradition the Sicilian community brought when many emigrated here in the late 1800s and early 1900s. The tradition and participation in the Madonna Del Lume have also been passed down for many generations for many of the current committee members. Many of the current celebration committee members come from very instrumental families in the Sicilian community at the Wharf, and some are even direct descendants of the original members listed on the bylaws from 1938. 

How did San Francisco's Madonna del Lume Society start?

It was officially on the books in 1938, but the celebration started in 1935. When they got the organization together, they established the nonprofit religious organization and registered it with the city of San Francisco. The original members were women from Porticello who came here.

 

The instrumental women who established the organization here in San Francisco were Carmela Cresci, Anna Auteri, Margherita Carini, Rosalia Alioto, Teresa Mercurto, Antonia Papia, Maria Crivello, and Paola Sanfilippo. Many of the women's husbands and family members were fishermen here in the Wharf, all from the little town of Porticello. 

 

Today, some of the influential families invested in preserving this tradition include Alioto, Asciutto, Baccari, Balistreri, Battaglia, Cannizzaro, Castagnola, Corona, Cresci, Crivello, D' Amato, Dorio-Wraa, Lavin, Lo Coco, Raineri, Sanfilippo, and Tarantino.

 

This organization is more than just a religious organization; it has a powerful social and cultural aspect that embodies the well-being of all of its members and the Sicilian Community as a whole. 


The first bylaw in the founding documents states, "To promote and encourage a spirit of religion, sociability, and friendship among its members; to celebrate once a year a special feast in honor of the Madonna Del Lume; to gather together for that purpose; to manage and conduct entertainments, picnics, and social gatherings of its members; and to advance their mental, moral, and religious welfare." 


When the Sicilians arrived in San Francisco, there was a lot of strife in Fisherman's Wharf. Many did not speak English, which was hard. It was a really hard life for them to make the voyage from the other side of the world and make a new life here while trying their best to hold on to their culture and traditions. I think the Madonna Del Lume was really instrumental in keeping tradition going, encouraging positivity and a sense of community and belonging. 

San Francisco's Festa della Madonna del Lume is patterned after Porticello's. Tell us about that.

In 1777, fishermen were lost at sea, and they prayed to the Madonna, who shone a light down where they needed it to guide them back safely to the shore. So that's kind of part of it. The other piece is the painting. When the fishermen returned, the Madonna painting was found stuck in their fishing nets. There's another legend about a Jesuit priest, Father Giovanni Antonio Genovesi. The Madonna guided him to paint it as she wanted it. 

 

We have a symbolic relic that we call the "Vara." This relic represents the sacred painting of the Madonna and holds a lot of significance. It is carried on the shoulders of the carriers while music is played with drums. The Vara is processed around Porticello, and everyone tries to touch it and prays to the Madonna. It is a very emotional event where people cry out to the Madonna. The chant is "Viva, Madonna Del Lume, Viva!" It is then placed on a fishing boat, which travels to the Madonna Del Lume altar 15 minutes by boat up the coast. The shrine is beautifully situated on the top of Capo Zafferano, overlooking the Tyrrhenian Sea.

 

In Porticello, the celebration lasts for nearly two weeks. There are daily activities, and the celebration ends with an impressive fireworks display at the port of Santa Nicolicchia. Throughout the year, the local fishermen return from fishing and make generous donations to ensure a grand celebration every October. It's for the Madonna so that she may continue to guide and protect them. So, by the time the year passes, they will have the money to put into this big celebration. It is really big, and the whole town attends and participates.

 

Our committee members have talked about going on a voyage to Sicily together. But it would be hard for us all to go to the celebration in Porticello because we need to plan and attend our celebration here. 

 

Describe San Francisco's two-day event.

Saturday, we have a mass at the Fishermen's and Seamen's Memorial Chapel on Fisherman's Wharf. It's a newer chapel built in 1981. All religions are welcome. On the walls are gold plaques bearing the names of the men and women who have dedicated their lives to the sea and the Wharf. You can also find the names of the founders of the Madonna Del Lume. It is a true gem hidden in plain sight.  


We go there, have Mass, pray, and then go on a ferry boat, the Red and White Fleet. We walk over to the Red and White as a group and embark on our journey, where we honor the lives lost at sea. 


Sadly, only a few active Sicilian fishing boats (mostly Monterey Boats) are left on the Wharf. The remaining " Montereys " fleet comes and follows us, which is really fun. The San Francisco Fireboat joins us, too. We go under the Golden Gate Bridge and stop just on the other side. The priest leads us in prayer, and we have a moment of silence while the names of all those who lost their lives at sea are read out loud. We then say, "Viva, Madonna Del Lume, Viva!" and throw wreaths and loose flowers, usually a lot of carnations, into the water while the fireboat sprays water up into the sky as a horn is sounded. This is a very emotional moment for many members and the attendees. 

 

We take a nice long ride back on the Bay to the docks, passing Angel Island and Alcatraz. It is a time for memory and reflection as we pass through the waters where many of our ancestors spent many years. After we return to shore, the day is over, and we go home and rest for the next day. Many committee members have lunch on the Wharf with family and friends at local eateries, and some head to Saints Peter and Paul Church to prepare for the second day of the celebration.  


On Sunday, members, family, and friends meet at Saints Peter and Paul Church in North Beach for Sunday mass. We have a coronation ceremony in which a queen is crowned for the upcoming year. The existing queen passes off the crown, and then the queen, her court, and the family march around the church led by the Carabinieri (The local Italian police squad). We have a chapter here in San Francisco. My dad's cousin is one; they all dress in official uniforms, including hats and flags. They've got their flags and lead the Vara that carries the painting around the church.

 

When Mass is done, everyone exits the church, stands on the steps for a group photo, and heads down to the hall under the church for the spuntino. We have small bites to eat and prepare for the procession down to Fisherman's Wharf. Once we are ready, we line up behind the float, usually parked in front of the church. We process the Vara and special flags along with a marching band. There is also a cable car on wheels for members and attendees who may have difficulty walking the whole way.


We go all the way down to Fisherman's Wharf, back at the pier, where the Fisherman and Seamen's Chapel is located. The priest blesses the fishing boats remaining there. Members usually leave from there or take the cable car back up to North Beach.

 

In the early evening, we come back together and have a big dinner at the Italian Athletic Club. We have raffle prizes and enjoy a meal together, a big part of Sicilian and Italian culture.  

 

What do you eat?

For the spuntino, we usually have a lot of cookies and cold cuts. So, many of our members will bake homemade recipe cookies and bring them, along with cold cuts and cheeses. They can also make little panini (sandwiches) and little salads. I'm going to make a tomato and onion salad this year and some biscotti or almond torrone, a classic Sicilian dessert. 

 

So, for the big Sunday Family dinner, we'll serve a fixed menu of either beef, salmon, or a veggie. Of course, there's always pasta, antipasti, desserts, cookies, and spumoni ice cream. Food is one of the focal points of our culture, so attendees can be sure they will be nice and full once dinner is done. 


I personally have a very strong feeling about keeping this special tradition going and as close to the original customs as possible. It's hard because our Sicilian community is dwindling here in San Francisco. There are not as many Sicilian families as there once were. We welcome anyone from the Italian community, friends, and family who cherish our traditions and culture. Keeping in the realm of tradition and culture, we welcome anybody to be part of our Festa and enjoy our special tradition. Sharing our tradition, culture, and customs is important, and we are so happy to keep this part of our history alive and teach others about it.

 

What do you hope people take away from participating in the Festa?

The sense of community supporting each other and specifically carrying on the Sicilian traditions and culture, particularly the patron saint of the fishermen. For the Madonna, we carry it on and continue to pray to her for her guidance for the people still in the fishing industry, all the families involved over the years, and most importantly, for those who have lost their lives at sea. 

We hope that people will come to be part of it year after year. We are determined to keep this tradition going and foster its growth. We invite everyone to come, enjoy, remember, and celebrate with us. This unique and rich experience and tradition are very special to us, and we want to share them with everyone. "Viva, Madonna Del Lume, Viva!" 

 

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