One of the highlights from my last trip to Sicily was a visit to the Solunto ruins just above my grandparents' former home in Porticello. Founded between the 8th and 7th centuries B.C. on the promontory of Sòlanto, Solunto was refounded after the tyrant Dionysius I's destruction of Syracuse on Mount Catalfano in the 4th century B.C. It represented a key settlement occupied between the Phoenician and Roman eras.
Getting there is part of the experience as you hike along a rambling path behind homes with wisteria-covered walls and sweeping views of the Tyrrhenian Sea.
I recently had the opportunity—thanks to the support of the team of Uncovered Sicily—to speak with Gabriella Sciortino, a Palermo-based archeologist specializing in Phoenician-Punic Sicily, who shared more about this special place, its multicultural roots, and its historical significance.
What is the significance of Solunto and its location?
The location of the earliest Solunto reproduces a colonial settlement pattern that shows significant topographical similarities with the Phoenician foundations in the Mediterranean, particularly the ones of eastern Andalusia (such as Morro de Mezquitilla, Almuñecar or Toscanos). This colonial settlement was open from the most archaic stage to a multiplicity of socioeconomic relationships with the indigenous communities of this part of the island and the Greek communities, particularly with the very close colony of Himera.
The site was open to the Tyrrhenian Sea and its traffic and people, such as the Etruscans or the Greeks. Solunto was a very important economic and trade route in the Mediterranean between the East and the West; moreover, it was strongly connected with Southern and Central Italy. So, the location, in this case, is a key element of the importance of this ancient settlement. It mirrors some patterns already outlined by other Phoenician settlements in the Mediterranean.
How did various cultural influences shape Solunto?
Solunto was shaped by the influence of Phoenician and Punic culture, as well as Greek-Hellenistic and Roman elements. If we look at the name Solunto, we see the Greek name Soloeis or Solous, meaning "the rock." We call it by its Roman or Latin name, Solus or Soluntum. So, just beginning from the name, we can see how many layers there are about this culture. In fact, the original Phoenician name was connected to a toponym, Kfr, which is Semitic for "the village." We know that in the fifth century B.C., there were some coins with a double legend with the Greek name and also with the Semitic toponym Kfr. This strongly reflects the mix of cultures at this settlement.
Of course, we can recognize part of this cultural influence just by looking at the settlement and the ruins. For example, the sacred areas of the settlement are connected to the Phoenician and Punic religion. Along the main street, the agora street, there is a three-pillar altar, which is very typical of Semitic religion and culture. Another important area is close to the agora, on the terrace above the theater. It's a temple with two naves separated by a central wall and covered by a vault, where the niches and structural podiums in the rear must have housed two statues. The first is a bearded male statue seated on a throne, identified with Baal Hammon, in the Greek guise of Zeus, now preserved at the Salinas Museum. The second is the female one, probably depicting Astarte—the most important goddess of the Phoenician pantheon—seated on a throne, with two lions side by side, according to a widespread oriental iconography and dated in the Archaic period.
Tell us about the daily life of Solunto residents.
The settlement was very full of life. It can be demonstrated, for example, by the number of beautiful Roman houses that are quite well-preserved and also by the fact that there were important public buildings such as the theater. So it demonstrates that it was very alive. Moreover, along the main street, there were shops and commercial activities. So surely, the richest people of Solunto had to be involved in trade and agriculture. They had the possibility to have a rich life and enjoy all kinds of cultural activities.
What contributed to the downfall of Solunto?
The First Punic War was a very difficult period. At the time, Solunto was Punic. The city finally surrendered to the Romans in 254 B.C. Under Roman rule, we have information about Solunto, as Cicero names it, between the "civitates decumanae" vexed by Verre and later others. The historical source is a dedication on epigraph—dated between 202 and 205 A. D.—and some coins of the Commodo's age (180-192 A.D.). Finally, the city was naturally abandoned by its inhabitants since the beginning of the 3rd century A.D. as the territory was subjected to a progressive ruralization as usual during Late Antiquity.
The Ruins of Solunto. The Gymnasium by Pietro Volpes (photographed by Gabriella Sciortino)
What do you hope visitors will take away from a visit?
The experience can be strongly connected to the natural and cultural heritage, as it is possible to admire the painting by Pietro Volpes, The Ruins of Solunto. The Gymnasium (1891), exhibited at Villa Zito, the Pinacotheca of Fondazione Sicilia, in Palermo. There are very important archeological sites in Sicily, but Solunto's surroundings are very charming, and it is a very well-preserved settlement with a rich antiquarian constituting an added value for the visitors for a complete understanding of the site. It can be very interesting to visit and understand the daily life of a city on a mountain in ancient times.
If you enjoyed this article, consider subscribing to my newsletter for more content and updates!